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Mon, 02.17.1873

John W. Cooper, Ventriloquist born

John W. Cooper

*John W. Cooper was born on this date in 1873.  He was a Black ventriloquist and singer.  

From Brooklyn, New York, he lost both of his parents at a very young age.  Cooper received his education at Professor Dorsey’s Institute in Brooklyn.  While at Dorsey he developed into a promising entertainer and took a special interest in ventriloquism, a craft he learned from a white man whom he met at a Sheepshead Bay racetrack.  Cooper, who was also a singer, joined “The Southern Jubilee Singers.” 

While touring with this group he developed his ventriloquism act, writing and performing his own material before mostly white audiences.  “Fun in a Barber Shop” became one of his most well-known acts.  Cooper portrayed six different puppet characters, each with his own voice performed by Cooper.  In 1902, when he was twenty-nine, Cooper had his first big break in ventriloquism while traveling with Richards and Pringles Minstrels.  In that year he was recognized by the Daily Nonpariel, a leading entertainment magazine, as the best ventriloquist of that era.   

Cooper went on to create another act with a black ventriloquist puppet named Sam Jackson.  During the next two decades Cooper and Sam traveled all over the United States.  By the start of World War, I he began performing at veteran hospitals, service clubs, and military camps.  During his lifetime Cooper was a member of the Negro Actors Guild, Knights of Magic, the Colored Vaudeville Benevolent Association, and the International Brotherhood of Ventriloquists.  Cooper continued to perform and to create new acts for another twenty-five years.  He also taught his craft to Shari Lewis and other young ventriloquists who carried on his legacy.  Cooper retired in 1960 at the age of eight-seven after the death of his wife Juliana St. Bernard.  John W. Cooper died six years later in New York in April 1966.   

Reference:

Ventriloquist Society.com

C. B. Davis, “Reading the Ventriloquists’ Lips: The Performance Genre behind the Metaphor” (TDR 1988-), 42: 4 (Winter 1998);

Dan Willinger, “Ventriloquists Vaudeville Years,” Ventriloquist Central: A Tribute to Ventriloquism,”
http://www.ventriloquistcentral.com/tribute/vaudeville/vaudeville.htm; Rayford W. Logan and Michael R. Winston, Dictionary of American Negro Biography (New York: W.W. Norton, 1982).

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