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Sun, 03.16.1930

Tommy Flanagan, Jazz Pianist born

Tommy Flanagan

*Tommy Flanagan was born on this date in 1930.  He was a Black jazz pianist and composer.  

Thomas Lee Flanagan was born in Conant Gardens, Detroit, Michigan. He was the youngest of six children, five boys and a girl.  His parents were both originally from Georgia.  His father, Johnson Sr, was a postman, and his mother, Ida Mae, worked in the garment industry.  

At the age of six, Flanagan's parents gave him a clarinet for Christmas.  He learned to read music from playing the clarinet, but within a few years he preferred the piano.  The family had a piano in the house, and Flanagan received lessons from one of his brothers, Johnson and Gladys Wade Dillard, who also taught Kirk Lightsey and Barry Harris. Flanagan graduated from Northern High School.  

Flanagan's early influences included Art Tatum and Teddy Wilson Nat King Cole of whom he heard on the radio and playing in the Detroit area.   Flanagan's first concert was around 1945, with trombonist Frank Rosolino.  Given Flanagan was only around 15 years old at the time, he could not stay in the bar area of the club; between sets, therefore, he went to another room and did some homework.  As a teenager, he played in a band led by Lucky Thompson that also contained Pepper Adams and Kenny Burrell.  Still in his teens, Flanagan also sat in on piano for some appearances by Charlie Parker in Detroit. During 1949, Flanagan had his first residence, at the Blue Bird Inn in Detroit.  In 1950 he played with Rudy Rutherford, until the clarinetist returned to the Count Basie band.  Flanagan then played jazz and rhythm and blues with saxophonist George Benson in Toledo, before being drafted into the army in 1951. After basic training, Flanagan auditioned as a pianist for an army show.  He got the role, approximately a year later he was sent to Kunsan, with the Korean war.  There, he worked as a motion-picture-projector operator.  After two years' service he was discharged and returned to Detroit, where he soon became pianist again working with Burrell, as well as Donald Byrd and Yusef Lateef, among others.

Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' landmark Saxophone Colossus. Recordings under various leaders, including Giant Steps of John Coltrane, and The Incredible Jazz Guitar of Wes Montgomery, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade. 

After leaving Fitzgerald in 1978, Flanagan then attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership.  These, however, played in an earlier style, and the young Flanagan and his friends were more interested in the newer bebop, including that played by pianist Bud Powell, who had a strong effect on Flanagan's musical thinking and improvising.

During his career, Flanagan was nominated for five Grammy Awards. The first occasion was in 1983: The Magnificent Tommy Flanagan for Best Jazz Instrumental Performance, Soloist; and Giant Steps for Best Jazz Instrumental Performance, Group.  Two years later, Thelonica was nominated for Best Jazz Instrumental Performance, Soloist.  The next nomination was in 1998, for Best Jazz Instrumental Solo for his solo on "Dear Old Stockholm" from Sea Changes. The last, in 2003, was in the same category, for Flanagan's solo on "Sunset & the Mockingbird", from A Great Night in Harlem. Flanagan first married in 1960, to Ann. The couple had a son and two daughters and divorced in the early 1970s; Ann was killed in a car accident in 1980. Flanagan's mother died in 1959, and his father in 1977.  Flanagan married Diana, his second wife, in 1976.  

Tommy Flanagan died on November 16, 2001. He was survived by Diana, the three children from his first marriage, and six grandchildren.  Flanagan was usually self-effacing, reserved and amiable.  His personality was summarized by his second wife: "His gentleness and quietness are deceptive. He is a strong man, and he has a lot of spirit and firmness."  

In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of his death, he was one of the most widely admired jazz pianists and had influenced both his contemporaries and later generations of players.  Although he acknowledged the influence of other pianists, Flanagan stated that, "I like to play like a horn player, like I'm blowing into the piano. The sound of a piece – its over-all tonality – is what concerns me."  In concerts, Flanagan typically played a range of composers' works and, once he had become established as a small-group leader, he often played songs by Tadd Dameron, Duke Ellington, Benny Golson, Thad Jones, Tom McIntosh, and Thelonious Monk.  

Kenny Barron described Flanagan as his "hero" and stated that he admired the older man's touch and phrasing from when he first heard it at junior high school: "He became an influence and continued to be an influence till the day he died – and he still is."  

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